The Ferrari 250LM is one of those rare machines that feels less like a car and more like a turning point in history. On paper, it was Ferrari’s first attempt to bring the mid-engine layout—something Enzo himself resisted—into the realm of GT racing. In practice, it was a rebellious creation: a 3.3-litre V12 tucked behind the driver, delivering 320 horsepower with a soundtrack that could make even hardened racers pause. The FIA’s refusal to homologate it as a GT car meant Ferrari had to enter it in prototype battles, where it often performed above its weight. The 250LM wasn’t just fast; it was balanced, agile, and a glimpse of Ferrari’s future, even if the old guard wasn’t ready to admit it.
Its legend was cemented at Le Mans in 1965, when Jochen Rindt and Masten Gregory piloted one to Ferrari’s last overall victory at the 24-hour classic. That win alone would have been enough to secure its place in the pantheon, but the 250LM’s rarity—only 32 examples built—makes it even more coveted. As a reviewer, I’d call it a paradox: a car born from resistance yet remembered as a pioneer. This machine bridged the romantic front-engine era with the sharper, more technical age of mid-engine dominance. Today, the 250LM isn’t just a collector’s dream; it’s a reminder of how Ferrari, even when forced into a corner, could redefine the game.
The arrival of the CMC Ferrari 250 LM marks one of the most anticipated additions to my collection. As my 11th CMC model, it represents not just another acquisition but a milestone in craftsmanship and authenticity. The 250 LM is a miniature masterpiece — a model that rewards close inspection with endless fascination. Hours can be spent studying its contours, and even photographs fail to capture the depth of detail; every angle uncovers something new.
Securing a pre-order of the 1965 Le Mans–winning variant through CMC’s official webshop felt like a triumph in itself, especially given how quickly it sold out. The model’s scarcity has already driven prices upward, with remaining stock at select shops commanding premiums well beyond my purchase price. That reality only underscores the significance of owning this piece: it is not merely a model, but a tangible link to motorsport history, executed with the precision and artistry that define CMC.























































































Thanks, Marcel, for providing some insight and 80+ photos from another CMC classic. As we’ve said in the past, quality is better than quantity! This piece isn’t cheap, but for those wanting the pinnacle of details, CMC is a noted brand.
Beautiful model, super photos, great review 👍
Great review, great model. Not my favourite classic Ferrari by a long shot though. Is it just my imagination or is it a tad high up on it’s wheels? Enjoy!
Thanks!
Yes, it is a tad high, however it depends a bit on the photos of the real car it is compared to. The car has been auctioned last year, so there are many recent photos and videos available. In these photos it has bigger, more fat tyres then in 1965 and it also looks lower than other 250 LM’s, so maybe the suspension has a bit collapsed on the real car. That said, even compared to photos from back in the day, it is on the higher side. The model is heavy as a brick, so is probably will lower itself over time. And if not, the springs can be removed by undoing one screw, so shortening them and lowering the model it is easy.
My biggest criticism is not the ride height, but the ‘floating’ seatbelts, which are not only floating weirdly, but were never present on this car in that race.
Actually it was there:
https://revsinstitute.org/wp-content/uploads/2025/02/250LM-2008-100BOCH-1965-b9_5.jpg
There was resistance to this change as Enzo who had a winning vision also was a traditionalist, as he did it with brute force (and it worked until then). Auto-Union did put the engine behind the driver back in the 30’s with their beautiful type A to type D v16 race cars, something Ferdinand Porsche had a hand in… Maybe Corvette people still resisting the C8 should read about these cars and why Zora Arkus wanted to put a nid-engine Corvette in the street. He sure had his work cut out in the 60’s trying to sell the same idea to the top brass at Chevrolet and GM. I bet this guy would would have been proud to see the ZR-!x today!
It’s truly magnificent. CMC has outdone itself.
It’s a shame they always make disproportionate leather straps. It wouldn’t be difficult to copy Exoto’s S-system on its XS models with a thinner strap that is magnetic so that it doesn’t have to be manipulated. This respects the scale and makes life easier for collectors.
A beautiful miniature nonetheless.
Mine arrives this week, finally!
Congrats!