Lost for words are some reviews with this exact version of CMC´s overdue novelty that other manufacturers like Minichamps and NOREV had done long ago. CMC seek to overwhelm collectors with details, materials and functions that allegedly only someone who knows the real car inside out, says Iain Tyrell, can fully appreciate, when scaling down usually inevitably requires simplification to the point of deleting a lot of details and functions the original car might have.


This recent CMC release again offers a plethora of details, materials and functions you will not find on what CMC would consider as lesser manufacturers´ models. With the tools provided, you can loosen the wheels´ nuts and perform a wheel change with the spare in the boot if you want. The metal hub caps come extra and need to be attached. The metal door handles can be swung out like on the original car. The ashtray on the dashboard opens, the sun visors move, and the metal windscreen wipers can be lifted from the windscreen like real ones, when on other models you´d be breaking them in the attempt. Carpet has become normal on most models, even in the boot, and quite a few manufacturers now do opening fuel doors and extending antennas, but real leather on seats, dash, center tunnel, and perforated as a headliner on the detachable hardtop, remains unique. Behind the folding leather seats, you find a collapsed cloth soft top that looks as if you could close it, which it does not on the hard-topped versions, but does on models that come without hardtops. Those will have winding side windows too.


This one has the detachable hardtop instead, which does not come off easily. It seems so fixed that you feel tempted to lift the entire model by the roof, but the front will come off the metal ball pins on the windscreen when forced upward and the lift the hinges on the rear and slide out. It then is replaced with a half body painted, half leather tarpaulin flap that comes extra. Without the hardtop, the two ball-topped pins on the chromed windscreen´s frame do look a little odd, like a goat´s or devil´s horns, we have to say though. Magnets would have been aesthetically more pleasing.

So in contrast to some other reviews, our seasoned collectors´ jaw does not drop in awe enough to become speechless and look past certain things. Which brings us to the engine bay of the 300 SL, which on the original, both Gullwing and Roadster, is such a tight squeeze that the transmission can only be taken out via the cabin and the engine had to be famously tilted sideways to accommodate it, and yet the bonnet needed the right of the two long domes to fit (with the left one added for symmetry). And yet, despite this mortgage CMC have tried to scale down far more details under the bonnet than any other model manufacturer. Most collectors will now drop their jaw in awe and be overwhelmed by sheer detail, while some engine enthusiasts will start exploring the details, discovering and, comparing with the original car, identifying every tiny detail. This is what a CMC is made for, for the Iain Tyrrells amongst collectors.


Here I have to admit that this is not me, but the Tyrrell´s-Workshop-like scrutiny was done by a fellow collector who presented the same model on modelcarforum.de before I could. And he found the flat piece with the hole behind the engine block where two chassis struts are joined with two silver screws rather strange, as if something had been meant to be screwed into place there, as if something was missing. Comparing it to his Minichamps 300 SL Roadster and photos of the original car, he found chassis struts to be missing there, attempted to add these parts with an adequately tiny screw into the existing mounting point and then found that the bonnet would no longer close. Together, the forum community found that the struts that are vital on the original car for the vehicle´s structural integrity and stability are missing on all of CMC´s 300 SL Roadsters (while Minichamps ´ old models have them). So this is no QC issue, but obviously CMC had planned them, maybe even produced them, but found out upon assembling the prototypes that they had miscalculated and it didn´t fit. What now? Back to the drawing board? Obviously, the answer at such a late point was to just not install these parts. This is at least the conclusion from what we see. We reached out to CMC´s general manager, and his reply was to draw our attention to how detailed a CMC model is compared to competitors´ products. Competitors had it easier by making so much simpler models. He says that the strut had to be sacrificed to accommodate the engine in all its detail, as the engine would not have fit in past the strut; even on the original car has to be removed to fit the engine. He says he did not want to fit a fake strut, not leading to a mounting point down beneath. From the forum member´s attempt to do just that, it seems this wouldn´t have fit anyway.

Markus Mohn may have a point there: For example, Paul´s Model Art/Minichamps does not have the VDO temperature sensors on the cooling water pipes. The CMC has two of them; only that I cannot find this on any photo of original 300 SL Roadsters from that era, and it does not make sense. From other sources, I have a photograph of the vehicle scanned by CMC which, in contrast to most 300 SL Roadsters, oddly has this second mysterious probe.

Markus Mohn closes his email expressing the hope that we will appreciate the CMC model for all its details. And you´d better not mind if you are interested in one of the many upcoming versions of the 300 SL Roadster, as they will all be the same under the bonnet. But can an Iain-Tyrell-minded, detail-obsessed engine-enthusiast collector, at whom CMC clearly aim, look past issues and happily buy this, especially for what CMC ask? Or are you disappointed? If you had a Paul´s Model Art, would you buy a CMC? Or do you prefer the solidly made NOREV at an RRP less than 20% of the CMC?








































Sir, thank you for the review and the stream of photos! What an exceptional model. And one expensive! North of $1000 here in Canada.
The level of detail here is truly mind-blowing, and again, CMC sets the bar very high. The brand is known to be one of the best existing in the market today, and the 300 SL just shines.
We must address the negative, and thank you for bringing this to the attention of collectors. It is a shame this error was missed in pre-production, and that CMC did not assemble one to ensure 100% compatibility and execution is somewhat unsettling… especially as you pointed out to those that crave and desire the motor details. And it doesn’t look like the problem will be addressed in future models either. A shame.
Great model overall, i hope cmc will make the 300SL gullwing doors this will be the best version in 1:18
I hope they don’t! Because I will need to buy one!
Thanks for the review. I preordered this model and received it a couple weeks ago. It is absolutely a beauty. The review highlights its “features”, but everyday I look at it I see another small detail to admire. For example, although the windows are inoperable (apparently the soft top versions will roll up and down), if you look carefully or even casually, you can see the top of the window lip peeping out between the door and door panel. Maybe not earth-shattering, but cool nonetheless. I am not the critical/technical collector that fellow collectors like Mr. Tyrrell are, which makes me definitely not as discerning. And I thank the Mr. Tyrrells for their enthusiasm and input because they keep CMC and other manufacturers honest. Some will say at CMC’s price-point they should be perfect. I stopped looking for perfection, in life, a long time ago. I’ve learned to settle for “exceptional” and I think CMC models in general are exceptional. This one definitely is. I was fortunate to have vouchers from previous CMC purchases to get this model under $450US. I still would have paid full price. In short, I am not sending this model back because it’s missing chassis struts, LOL, and can’t wait for the soft-top!
HI Richard, well said. At the end of the day, this is an exceptional model period. The model should move you, and this one does that!
Very good review. I’d still point out a few of the out-of-scale problems, but it is what it is. Typical CMC.
Thank yout for your feedback.
The known off-scale issues that CMC is more frequently affected by than other manufacturers (who are not completely unaffected to be fair) are mostly due to the materials used and the functionality of features. The high-quality materials like real cloth, leather, and metal have limitations in that they cannot be miniaturized endlessly. This is nowhere more obvious than on real cloth softtops, again not only CMC ´s, whose texture and thickness more often than not are just unconvincing. Other textiles, too, such as carpets, seat belts, replication of alcantara can be too fluffy and shaggy. Real leather just cannot have scale-correct textures. An extendable/retractable metal antenna is usually too thick and would have to be hair-thin to be on scale. That models ´ metal bodies incorrectly have armorplate thickness has never been addressed as an issue unless it forbids having openings where they should be to resemble the original car.
We have come to accept these limitations and admire when manufacturers find ways of creating a better illusion. And sometimes lesser materials achieve just that better than what CMC pride themselves in using.
Absolutely correct. Leather seats are always nice, for example, as long as you can accept the grossly out of scale grain.
But even beyond the scale issues with materials, CMC has consistently miscaled other parts- I’m referring to something that has bothered me for decades on most CMC models- the huge steering wheel rims. That small issue has taken away a lot of acceptance of the otherwise beautiful CMCs on my shelves.
They know buyers will be playing with the steering wheel, moving the front wheels back and forth, so they sacrifice authenticity for the risk of customer returns due to broken parts.
>If you had a Paul´s Model Art, would you buy a CMC?
Well I was hoping to learn if I should from the review but since it focuses on a few specific details and ends there I have no idea.
100% agree with @Karsten though. Fixation on ‘real’ materials doesn’t always result in greatness and looks like it’s the same, very CMC-ey mixture of a plethora of features, detailed engine, errors resulting from recreating the scanned car as-is without diving into the historical accuracy and questionable design decisions. The mounting points for the hardtop look terrible, the inner ring on the steering wheel is terribly off-scale, the antenna is way too thick (and it could’ve been thinner without losing functionality!) and CMC’s obsession with tiny screws put where they absolutely do not exist on the real car is very much alive and well.
It’s yet another one that looks like a watchmaker created it in their free time using random bits and pieces lying around in their workshop. And since the PMA is beautiful, sure, not as detailed and full of party trick but damn beautiful I think I know the answer to the question asked.
See? No explicit recommendation required, you can draw your own conclusions.
I own the exact same version made by Minichamps which I find to be of very good quality, so it would be interesting to have a comparison between the 2 models.
A couple of DS leads own the same: I clearly see the differences and layers in the CMC over the MC version. If you are happy with it, there is no reason to upgrade. Unless this car is considered your holy grail.
Thanks to the Author for providing materials for the CMC model.
Choosing a model manufacturer is like choosing an artist for a portrait of the woman you love. The more famous the artist, the more valuable the portrait. Men love with their eyes, so the choice is always individual, and the artist’s greatness doesn’t always equate to the client’s admiration for the finished product.
Choosing a model is a difficult task for any collector. Everyone must solve this problem on their own, otherwise, you’ll turn from a collector into a buyer.
Well said!
Pure Poetry!